Ryugyong Hotel.jpg https://lh3.googleusercontent.com/-Hc82SxIb4EI/UjrBSSvWvzI/AAAAAAAACfs/l1MRucaHtfw9awoqfr3YwEhc2XMWJFuUwCHMYBhgL/s1600/Ryugyong%2BHotel.jpg Ryugyong Hotel

Ink on mylar 37” x 56” 2010

thewhale.jpg https://lh3.googleusercontent.com/--FlJaV2THEM/TvbRtBWD5HI/AAAAAAAAA6Y/C_ObzR1UToINJy_ztADzQFMlCt5LPhC2wCHMYBhgL/s1600/thewhale.jpg thewhale

gulf-coast-islands.jpg https://lh3.googleusercontent.com/-CpnFk_LN7o0/TvbRswx0iUI/AAAAAAAAA6U/-AdhgIOJ23cbhrXtBcVjLif-NXLJaFGlgCHMYBhgL/s1600/gulf-coast-islands.jpg gulf coast islands

haiti2-detail.jpg https://lh3.googleusercontent.com/-Oo0-6xca4F8/TvbRtWBcJGI/AAAAAAAAA6c/Ej4R_J4FwOMe9zfTrTg4Gjq2mE_Fe4hjgCHMYBhgL/s1600/haiti2-detail.jpg haiti2 detail

haiti2.jpg https://lh3.googleusercontent.com/-aXFrt8GBNPI/TvbRtm8h9ZI/AAAAAAAAA6g/hTxabneASSEzRP0PXPcGTLW84NS4QShQACHMYBhgL/s1600/haiti2.jpg haiti2

Obscured

Ink and graphite paintings exploring journalistic images of extraordinary events and experiences. The intensity of the subject matter can be seductive, but the attraction to the representations can stand in the way of understanding the thing represented. The clear and frequent depiction of these subjects can lull viewers into believing that they understand the real events that prompted the representation, or that the representation has directly communicated something.

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